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郝仁创业失败，母亲去世，接二连三的压力和打击磨灭了他心中最后一丝希望，于是乘坐飞机前往国外。不料，途中飞机遭遇大面积雷暴，雷暴击中了飞机引擎。危难之际，郝仁想起种种失意之事，故意没有戴氧气罩，希望制造意外获得保险赔付，为弟弟留下一笔生活费。神秘海域，无名荒岛，破碎的飞机残骸与遇难者的恸哭打破了这里原有的寂静。郝仁从昏迷中醒来，发现自己身处茂密的原始丛林。他起身找到其他幸存的乘客，众人满是伤痕，惊魂甫定，逐渐从方才经历的空难中回过神来，最终决定前往荒岛另一边寻找飞机驾驶舱，希望通过无线电收发器联系救援队。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。Pororo and friends are back! This time, they present exciting adventures and friendship in Hammer Town deep in the forest, featuring dragons, wizards, and the colorful Dragon Castle. Arthur, the Great Dragon King, cursed for forgetting the importance of friendship, loses the Dragon Heart, and turns into the Little Dragon. Pororo and his friends meet Arthur and are sent to the D...。