爱上新电影

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#哈茲咖囍要邁向另一個里程碑！ ⠀⠀⠀ 在我們約會節目越做越大型後，我們即將與 GagaOOLala - 屬於你的故事合作，要做一個六天五夜的大型男男約會節目 #男生男生配 ，即日起進行海選！一樣會是哈茲咖囍的拍攝風格，只是更大型！快推坑你身邊單身的優質同志朋友！（先把小琉球三集看完面試會加分（喂））不要猶豫！盡速報名！我要你愛！。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。