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好不容易聚在一起的克隆人姐妹面临新的威胁。 正当Sarah和同伴们开始拼凑阴暗的Dyad研究所背后的复杂阴谋时，她们发现了“Castor计划”。这是一个绝密军事项目，正在制造训练有素的男性克隆人。在无情的Coady 博士的监视下，“Castor计划”的克隆人每一个都是专注且致命的士兵。但是，是谁创造了他们，更重要的是，为什么目的而创造？ Sarah的乌克兰双胞胎Helena在Castor牢房中苦苦挣扎，感觉自己被刚刚和解的家人抛弃。与此同时，Alison开始了一项利润丰厚但却险恶的新业务，而Cosima发现了合成序列的关键，可以让所有人都得救……。电影讲述的是20世纪30年代，安徽桐城一名叫陈宝儿的少女因痴迷黄梅戏，触犯了当地严禁女子学唱黄梅戏的族规乡约，在死里逃生后女扮男装进入黄梅戏班，乱世中，用生命追寻黄梅戏艺术之梦的传奇故事。。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。